1/12/2023 0 Comments Jerry cantrell guitar rig![]() The range of frequencies that it can sweepĪcross. The other factor in a wah pedal’s sound is Relaxed band deliver a calmer, more subtle Produce a very sharp, focused, and drastic To the center of the frequency you specify by Only produce frequencies that are very close Sonic print are the width of that filter and The two things that determine the pedal’s The word “wah.” The most basic definition ofĪ wah pedal is a foot-controlled band-passįilter. The name of the effect itself is taken from the filter sweep That it emulates the frequency filtering that Signature wah recipients includes Dimebagĭarrell, Slash, Buddy Guy, Zakk Wylde, Eddie Specification and, in most cases, the players ![]() Models has been tailored to the musician’s Pedals in the ’80s, beginning with the Jimi Sinking in popularity over the years like someĮffects, the wah pedal has remained a staple By 1970, a mere four yearsĪfter the wah pedal’s creation, its capabilities Players were also implementing the wah-wah Hendrix’s foot and music has never been the The circuit was wired to a Vox organ volume ![]() Run it off an optional AC adaptor or Dunlop’sĪll samples recorded with a Gibson SG through a Mesa/Boogie TransAtlantic tube amp with matching 1x12" cabinet.Ĭheaper solid-state design was given to a It features hardwired-bypass switching and aĩ-volt battery you can access without having Wah, which is designed to his unique specificationsĪnd comes in an attractive, copper-colored Recently, Cantrell got together with the folks ![]() Was often accompanied by odd time signatures Theatrical elements of their rock ’n’ roll predecessors,Įmotive guitar work. Influences as Jimi Hendrix, Black Sabbath,Īnd country music. ![]() Jerry Cantrell-AIC’s lead guitarist and main Solos, and classic song structures set theīand apart from their faster, noisier peers. still kicks its ass.ive a/b 'd it to most of the Bogner amps and this puppy is a boutique slayer.i also had some minor alterations done to it by the Professor in Seattle,mostly grounding and switches etc and he built me a new enclosure,i got the vox fabric from Jackson Brown.oh ya i used a KK Audio 1x12 cabinet with an ev 250 12L speaker(totally killer!)for most of the tracking.if y'all have any questions feel free to e-mail me at (removed).i love chatting gear!but i live to play it!!!!Ronnie C.Alice in Chains is arguably the one guitarists saying that he was trying to launch his own product.i told him i didnt care how much it costs and that my clients would send him a ton of business,to which he capitulated,grudgingly.good move i'd say!this is the nastiest amp ive ever played thru.you are correct that we used a 4x12 with greenbacks in a stairwell all knobs on ten for solos.but we also used it in various settings for a multitude of ing a shure sm57 into a neve 1073 into a la-2a compressor/limiter to the tape machine.i also used it on Janes Ritual,Social Distortion,Deconstruction with Dave Navarro and Eric Avery from Janes.and many other records us i toured Europe with it as my main amp.we also used Bogner Ecstacy(?) and Fishes with Navarro.none had the totally full on brazen tone is THE platinum amp,priceless to me(Jerry offered me big cash for it,but i aint no dummy!)in fact the last time i hung out with Alice(new guys) in Boston he still was complaining and wanting.as a side note i also used a R.K.Butler TubeDriver pre amp into a vintage Fender Bassman for many of the 'mellower' tones and also my pink Kramer Baretta 1 with a Ultrasonic 3 pickup(single and humbucker modes) plus a lot of Telecaster drop D tuned.the Snorkler responds unbelievably to single coil pick ups.we also used a Coral elecric sitar (amazing!) thru it.plus the six string bass for chorus's on many tracks.ala the Who.the Snorkler logo is from an old fire extinguisher i found in us its a reference to blow snorters.my assistant attempted a clone of it but for some reason the o.g. in '84.i was using Andy Brauer rentals in n.Hollywood for most of the gear we used on Janes Addiction's Nothings Shocking and Andy turned me onto a Bogner Modified jcm 800 that Rheinhold had modded.apparently he did a few.for Eddie and Steve and Joe.well i had the same amp and took it over to Rheinhold and asked him to do exactly the same thing to mine.he refused. ".i know this is a really old thread,i just came across it.my name is Ronnie Champagne i was the engineer with Dave Jerden Producing on Facelift.i am the owner of the Snorkler.that we used for most of the guitar and some six string bass tracks on the album s a Marshall 50 watt jcm 800 combo 4010 that i had Bogner modify for me.4-12ax7a tubes and el34's for power.i got in Canada in '83 as a trade for a 50 watt half stack that i didnt want to carry to the states when i moved to L.A. ![]()
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